mumblingsage:

this-disgusting-ribbon:

LOOKS LIKE MEAT’S BACK ON THE MENU, BOYS" bellows the Orc to his Orc friends. Orcs know what menus are. Orcs know what restaurants are. are there bistros in Mordor? these are the questions i need answering

The moss-troll problem, or, Accidental Worldbuilding Through Metaphors

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coelasquid:

entropically-favorable:

jeffdeluca:

Dino Dim Sum.

Is this the grown up version of dinosaur chicken nuggets?

I’m crey.

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pastel-cutie:

thecutestofthecute:

Congratulations!! You got mail !!!.. Pup-mail that is!!!

MAIL ME ALL OF THE PUPS

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VIA: mizzelena ORIGINALLY FROM: thecutestofthecute

99percentinvisible:

A beautiful solar house designed entirely by college students.

This puts my stupid undergrad thesis to shame. 

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The Hidden Life of the Burrowing Owl from mike roush on Vimeo.

modmad:

parkersimmonsyall:

shirtsnshorts:

MIKE ROUSH / The Hidden Life of the Burrowing Owl / 5:16

I have always been fascinated by wildlife documentaries. As a kid I would take my mom’s camera and try and get as close to the neighborhood animals as I could. Most of the time this would mean long hours sitting motionless on the back deck with bird seed sprinkled on my lap and shoulders. I never got the shot I wanted, so when Chris and Shannon  asked me if I wanted to make an animated film for Titmouse, I said yes before they finished asking. 

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Chris and Shannon Prynoski, Dik Pose, and I Line up a shot in the middle of nowhere. photo by Steve Kellener.

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Early thumbnails of the burrowing owl.

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Rough turnaround.

"Owl" was animated in Flash. I used a technique where I would animate traditionally very rough, then I would take a second pass cleaning up symbols that I would be able to reuse later. Most of the final animation you see in "Owl" is puppeted symbol animation with hundreds of symbols and a different puppet for each shot. This way I could get the detail and animation quality I wanted.

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The Flash break-down on one of the owl puppets. Lots of feathers!

One of my favorite parts of making this film was having to get out of the studio and go on location. I found an amazing place in central California called The Carrizo Plain using google maps. I spent the weekends driving all around taking pictures and exploring. Fun fact: The burrow used in the short was an actual owl burrow. On one of the days I was taking photos of the burrow one hissed at me from inside the burrow with it’s rattlesnake like call. It scared me nearly to death.

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This is how I made all the “live action” backgrounds. I drew a storyboard of what I wanted and photo collaged lots of pictures together to make it look like what I drew. Unfortunately these places don’t exist in real life.

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Whenever the owl had to touch the flower or fork, I took hundreds of photos, cut them out in photoshop and animated them. Fun.

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On location I used a couple stand-in models to get the lighting right and a maquette when animating for inspiration.

I had a great time making this film and when I was done we were lucky enough to show it at festivals around the world. After 4 years the “Owl” showed at more than 40 festivals, in over 25 countries. 

Can’t wait to do another one.

Mike’s Tumblr

Mike Roush’s incredible short film is now online!!! Don’t miss this one, folks! It’ll stick to your ribs likes delicious cartoon BBQ!

I was lucky enough to catch this at an animation festival a while back and it blows my mind as much now as it did then

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VIA: mizzelena ORIGINALLY FROM: shirtsnshorts

socialjusticekoolaid:

Last Night in Ferguson (10.21.14): A state senator was arrested (and mama may have been legally packing), one of the lead organizers, nettaaaaaaaa, was roughed up by police, and one of the main sources of footage/live feeds, Rebel Z, was detained in what seems to have been an intimidation and straight up harassment tactic. The police are out of control, and it’s only getting worse. If you think this is over, you need to look again. #staywoke #farfromover

Ferguson is still happening. Are you still paying attention?

Tune into Z’s UStream tonight to watch developments live. 

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VIA: xiao-longer ORIGINALLY FROM: socialjusticekoolaid

"

i once saw a scientist
on television.
and she was speaking generally
about science things
(being a scientist and knowing science things
etc.)
and, speaking generally
i am not a science
person,
and while i respect them,
i do not have much interest
in scientists
or science things.
so i went to switch the channel
at the precise moment that the presenter sitting beside the scientist asked:
what,
in your opinion,
is the most ASTOUNDING fact
about the universe
?
and this stopped me.
because it is not often that television presenters ask such interesting questions,
and the scientist was pursing her lips in a thoughtful way that made me think
i wanted to her her answer
to the interesting question.
after a pause,
she did not look directly at the
camera,
but directly at the presenter.

did you know,
she said,
that there are atoms in your body.
the presenter laughed.
of course,
he said.
what else would my body be made of?

well,
said the scientist,
and i did not need to look at the television screen to know
she was smiling.
do you know where those atoms came from?
well,
said the presenter.
and he did not say anything else.
i snickered from my place in the armchair
and the scientist smiled again.

the most ASTOUNDING fact that i have ever known,
she said,
is not a fact, specifically,
but the story of every atom on this planet.
the ones that make up the grass and the sea and the sand and the forests and the human
body.
these atoms came
from stars.

the presenter sat forward and so did i.

stars,
continued the scientist,
are mortal
like humans.
they die,
and, in their later years,
are unstable.
it pains me a little to say it, but a star’s death
is far more dramatic than a human’s.
is it? asked the presenter.
the scientist was looking at him still,
and i felt strongly as though i was listening in on a very private
conversation.

it is, the scientist nodded. the stars
i am referring to,
she said,
collapsed and exploded a very long time ago, and scattered their enriched guts across
the entire universe.
here, she paused, and her words caught in my mind in a way that made me wonder
if she was a scientist
or a poet.
their guts, she said whilst sipping from a glass of water, were splayed across every
inch
of time and space.
these guts were made of the
fundamental ingredients
of life and existence.
carbon and oxygen and nitrogen and hydrogen and all the
rest of it.
all in the bellies of these stars that flung themselves across the universe in protest when it was their time to die.

and then? asked the presenter.
the scientist’s lips quirked upwards. and then, she said.
it all became parts of gas clouds.
ones that condense and collapse and will form our next solar systems -
billions of stars with billions of planets to orbit them.
and these planets have the ingredients of life sewed into the very fabric
of their own lives.

so, she said, smile still playing on her lips -
where do your atoms come from?
from those gas clouds, said the presenter.
no, said the scientist.
from those stars.

every atom, every molecule, every inhale and exhale and beat of your heart, is traceable
to the crucibles that cooked life itself.
and you are sitting here and so am i and so are your viewers at home,
and we’re all in the universe, aren’t we?
yes, said the presenter.
but i’ll tell you what’s even better, the scientist smiled wider.
the universe is in us. your atoms and my atoms and your camera men’s atoms came from those stars. you’re connected and relevant without even having to try. you are made of stardust and the fabric of the universe.
that is the most ASTOUNDING fact
i can tell you.
the presenter smiled and the scientist smiled wider and i smiled too,

and later i switched the channel to something less scientific
and wondered if i should feel small,
tiny and insignificant in relation to the stars that collapsed and exploded and
threw themselves everywhere.
and that is how my mother found me,
sitting on the sofa.
and she asked me what was
wrong,
and i said,
nothing. i’m just a lot smaller than stars are.
my mother is very literal woman. as such, her natural response was:
of course you’re not. don’t you see how small stars are?
that’s only from a distance,
i said.
maybe you’re looking at yourself from a distance too, she said.

and she left the room and it is years later now, but i still
think about the scientist and what she said
and my mother and what she said
and i still see the presenter on television.
and i still think that the stars are very big
but now i think,
they are in me.
so i am big too.

"  - 'the most astounding fact' - j.c., inspired by neil degrass tyson’s talk of the same name (via girlonfired)

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duncantargaryen:

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